prikaz prve stranice dokumenta TAJNE O BOJAMA NA DJELIMA STARIH MAJSTORA U DALMACIJI PREMA SAČUVANIM TRAKTATIMA O SLIKARSTVU, PRILOG POZNAVANJU PIGMENTA RABLJENIH U STAROM DALMATINSKOM SLIKARSTVU-ODABARNI PRIMJERI
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master's thesis
TAJNE O BOJAMA NA DJELIMA STARIH MAJSTORA U DALMACIJI PREMA SAČUVANIM TRAKTATIMA O SLIKARSTVU, PRILOG POZNAVANJU PIGMENTA RABLJENIH U STAROM DALMATINSKOM SLIKARSTVU-ODABARNI PRIMJERI
Split: University of Split, Faculty of Humanities and Social Sciences, University of Split, 2018. urn:nbn:hr:172:412345
Pavlic Jarčević, Marija
University of Split
Faculty of Humanities and Social Sciences

Cite this document

Pavlic Jarčević, M. (2018). TAJNE O BOJAMA NA DJELIMA STARIH MAJSTORA U DALMACIJI PREMA SAČUVANIM TRAKTATIMA O SLIKARSTVU, PRILOG POZNAVANJU PIGMENTA RABLJENIH U STAROM DALMATINSKOM SLIKARSTVU-ODABARNI PRIMJERI (Master's thesis). Split: University of Split, Faculty of Humanities and Social Sciences. Retrieved from https://urn.nsk.hr/urn:nbn:hr:172:412345

Pavlic Jarčević, Marija. "TAJNE O BOJAMA NA DJELIMA STARIH MAJSTORA U DALMACIJI PREMA SAČUVANIM TRAKTATIMA O SLIKARSTVU, PRILOG POZNAVANJU PIGMENTA RABLJENIH U STAROM DALMATINSKOM SLIKARSTVU-ODABARNI PRIMJERI." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, 2018. https://urn.nsk.hr/urn:nbn:hr:172:412345

Pavlic Jarčević, Marija. "TAJNE O BOJAMA NA DJELIMA STARIH MAJSTORA U DALMACIJI PREMA SAČUVANIM TRAKTATIMA O SLIKARSTVU, PRILOG POZNAVANJU PIGMENTA RABLJENIH U STAROM DALMATINSKOM SLIKARSTVU-ODABARNI PRIMJERI." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, 2018. https://urn.nsk.hr/urn:nbn:hr:172:412345

Pavlic Jarčević, M. (2018). 'TAJNE O BOJAMA NA DJELIMA STARIH MAJSTORA U DALMACIJI PREMA SAČUVANIM TRAKTATIMA O SLIKARSTVU, PRILOG POZNAVANJU PIGMENTA RABLJENIH U STAROM DALMATINSKOM SLIKARSTVU-ODABARNI PRIMJERI', Master's thesis, University of Split, Faculty of Humanities and Social Sciences, accessed 16 April 2024, https://urn.nsk.hr/urn:nbn:hr:172:412345

Pavlic Jarčević M. TAJNE O BOJAMA NA DJELIMA STARIH MAJSTORA U DALMACIJI PREMA SAČUVANIM TRAKTATIMA O SLIKARSTVU, PRILOG POZNAVANJU PIGMENTA RABLJENIH U STAROM DALMATINSKOM SLIKARSTVU-ODABARNI PRIMJERI [Master's thesis]. Split: University of Split, Faculty of Humanities and Social Sciences; 2018 [cited 2024 April 16] Available at: https://urn.nsk.hr/urn:nbn:hr:172:412345

M. Pavlic Jarčević, "TAJNE O BOJAMA NA DJELIMA STARIH MAJSTORA U DALMACIJI PREMA SAČUVANIM TRAKTATIMA O SLIKARSTVU, PRILOG POZNAVANJU PIGMENTA RABLJENIH U STAROM DALMATINSKOM SLIKARSTVU-ODABARNI PRIMJERI", Master's thesis, University of Split, Faculty of Humanities and Social Sciences, Split, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:172:412345

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Metadata
TitleTAJNE O BOJAMA NA DJELIMA STARIH MAJSTORA U DALMACIJI PREMA SAČUVANIM TRAKTATIMA O SLIKARSTVU, PRILOG POZNAVANJU PIGMENTA RABLJENIH U STAROM DALMATINSKOM SLIKARSTVU-ODABARNI PRIMJERI
Title (english)THE SECRETS OF COLORS IN THE PAINTINGS OF THE DALMATIAN PAINTING SCHOOL ACCORDING TO PRESERVED BOOKS ABOUT PAINTING - SELECTED EXANPLES
AuthorMarija Pavlic Jarčević
MentorIvana Prijatelj Pavičić (mentor)
Committee memberIvana Čapeta Rakić (predsjednik povjerenstva)
Committee memberIvana Prijatelj Pavičić (član povjerenstva)
Committee memberIvana Meštrov (član povjerenstva)
GranterUniversity of Split
Faculty of Humanities and Social Sciences
Split
Defense date and country2018-07-04, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
History of Art
Abstract
Rad ne sadrži sažetak.
Abstract (english)
The aim of this study is to establish the relationship of practices regarding the fabrication of materials made available to artists on the eastern Adriatic coast, during medieval and early Renaissance periods from 14th to 16th century. In a desire to reveal the technology and to understand medieval artist's – technologist's and "alchemist's" way of work relating to the preparation of paints, pigments and chemicals, a large number of treatises from the manuscripts by author Cennino Cennini (Il Libro dell'arte, c.1400) and Bologna manuscript (Segreti per colori, c. 1450) were selected for a more thorough analysis. Detailed and accurate explanation of processes and material ingredients is an important component in reflection about the individual's way of creating works of art. By understanding the possible structure and composition of works, it is easier to identify the art piece, as well as knowing the material more accurately gains more access to restoration. Systematic examination and analysis of artwork coincides with a renewed interest in transcribing old manuscripts regarding painting technologies. Beginnings of this practice are linked to the activities of Split's first restoration workshop which focused on work of Dalmatian masters of art. Moreover, newer published restauration-conservation researches on paintings that were ordered and purchased directly from workshops of Italian, almost as a rule Venetian masters, such as Vittore Carpaccio, Tizian and Tintoretto, emphasise the importance of understanding artist's pigments production technology, and manuscripts in which they are explained.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:172:412345
Study programmeTitle: Art History; specializations in: Teacher Education
Course: Teacher Education
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra edukacije povijesti umjetnosti (magistar/magistra edukacije povijesti umjetnosti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
RepositoryRepository of Faculty of humanities and social sciences
Created on2018-07-16 08:17:16